Conducting
Since 1997, a virus, a passion, a questioning, a window into another world. Since 2023, a center of gravity and an inexhaustible source of learning.
“Great chamber music, on a larger scale”: a pleasant oxymoron that sounds like an ideal, where numbers don’t hinder freedom of play. Interplay, as theorized by pianist Bill Evans, who spoke of improvising together in a relationship of interactivity — and therefore interdependence — served as a guide for the creation of this orchestra, which produced spectacular results from its very first encounter: made up of professional quartet players (members of the Ebène, Belcea, Voce, Varèse, Zaïde, Hanson quartets, among others) and a leading wind quintet (Aquilon), the chamber musician’s reflex — transmitter-receiver, never a follower, never a leader, but always a co-producer — worked wonders. Later on, the other miracle of this adventure revealed itself during the first major bike tours, where the grueling work of carrying symphonic music as a small team into remote areas and for unusual audiences gave us the best possible feedback: a breath of discovery, made euphoric by the kilometers covered together between each concert. Today the ensemble specializes in versatility: the programs combine classical, new creations, and jazz, and the musicians and staff of Forces Majeures are far from done exploring and delivering all their facets.
ORCHESTRE DE CHAMBRE
NOUVELLE-AQUITAINE
After a quarter of a century under the direction of pianist J-F Heisser, l’OCNA has become a vessel of fraternity, a generous team determined to carry out a very broad mission. Here, excellence is heard on stage and measured by the reach of the tours undertaken; the territory of Nouvelle-Aquitaine, as large as Austria—based out of TAP de Poitiers—hosts large-scale concerts that give pride of place to new creations and novelty, and bring extensive experience in cultural outreach. From the very first meeting, the joy of pushing each other to excel together in the work was palpable, and reward came in listening to the schoolchildren of Marennes-Oléron singing the theme of the Variations Rococo with delightful lyrics, before the very first concert. How could one resist such a wave of shared beauty? All along the Atlantic coast and across the lands of Poitou, Limousin, and Bordeaux, a new chapter begins.
ORCHESTRE DE CHAMBRE
DE GENÈVE
UPCOMING INVITATIONS
[→] CALENDAR
Collaborations between conductors and orchestras are sometimes one-off, sometimes sustained over decades. The bonds that form find in the musical act a kind of summit of communication. The audience, its experience, and whatever feedback it may give, are a result that is quite complex to analyze and demonstrate. The spark always bursts forth somewhere, in the end. But where? When? Why? Words are imprecise, and music, which is above all the art of time, has already slipped away from this reflection, carrying its phenomena toward a future (or an elsewhere) that cannot be held onto.
Playing
Daily life with the instrument, in the closest proximity to other subjectivities, is part of a hungry and ambitious drive to capture the beauty of this fascinating repertoire, and above all to bring it to balance and to its most powerful expression, despite the extreme fragility of this organism (four instances of the same instrument, with no preset agreement, a nightmare where moving from a sketch to a finished product can take months of grueling work just to agree on bowings or a coherent intonation).
Writing
[Composing]: to put into sound dreams that are also inheritances.
[Arranging]: to bring elements of one’s own creativity to existing works. In either case, to write is to hear, and it is to transform.
“IF COMPOSING
IS TRANSFORMING,
INTERPRETING
IS COMPARING”
[X. GAGNEPAIN]
THANK YOU TO THE COMMISSIONERS, PUBLISHERS & TO THE COMPARING INTERPRETERS!
Mentoring
We learn by receiving, and we learn again afterward by passing it on. The search for a coherent vocabulary, and the need to adapt it to each group of students, gradually alters the meaning and invites subtexts, beyond expectation.
Today
Erreur de chargement du calendrier.